Sunday, 19 July 2015

Piece by piece

I'm continuing the challenge that was featured in my last post Off the Rails. The #blimage challenge is where people send me an image/photograph and I have to write a (reasonably intelligent) learning related blog post about it. This image was sent to me by Simon Ensor, (his blog Touches of Sense is well worth reading by the way) and here is my response:

The is a photo of jigsaw puzzle pieces, which brings three things to mind about education that are key to our understanding of good pedagogy. Firstly, all learning has the characteristics of an incomplete jigsaw. You don't really know exactly how you're going to get to the end (if there ever is an 'end'), or how long it will take, but you do have a an image on the front of the box that contains the pieces, as a reference point to what it should look like when completed. The box top image is a little like a curriculum map in education, where the subjects or the schemes of work are described, and teachers are expected to use it as guidelines to deliver content and facilitate experiences that help the students to achieve their learning outcomes. Testing is then applied to measure whether the students have indeed reached the ideal standard. This ultimately represents a product based approach to education.

Secondly, the means by which an individual successfully completes a jigsaw can be almost infinite. There are methods that people adhere to. Many people start a jigsaw off by finding and assembling all the edges. Others are more prescriptive in their approach to a jigsaw puzzle, preferring to gather together all the colours or shapes that match, and then assembling the jigsaw on the basis of similarity and pattern. Still others adopt a more random approach. Who is to say which method is a) more effective and b) more enjoyable? Whatever methods are employed, it is likely that each of us would complete a jigsaw in a different sequence, which of course is also true for most learning processes. Individuality is a key component of all learning.  Wouldn't it be sad (and very boring) if each of us had to complete a jigsaw in the same sequence, piece by piece? This is a very idiosyncractic approach to education, where the student is central to the process, and where the teacher acts as one resource amongst many.

Thirdly and finally, we could accept that the image above is quite an eye catching image in its own right. Abstractly, it has a beauty and a form that derives entirely from its incompleteness. The discussion then can turn to the question of whether all jigsaw puzzles should be completed. Ostensibly this is the intention of the jigsaw manufacturer. But should it always be the intention of the person who builds the jigsaw? What if the jigsaw is more aesthetically pleasing when only partially complete, or not complete at all? What about the value of missing pieces? Do they not also add some appeal? What about the beauty that is inherent in the chaos and uncertainty of the jigsaw? Isn't the process by which you put together the pieces more enjoyable than the ultimate satisfaction of completing the puzzle? And... what would happen if we threw away the box cover image and there were no guidelines as to what the jigsaw should look like? These questions are reminiscent of a postmodern perspective on education - where learning is random and chaotic, has multiple layers and diverse possibilities, and where the rules might just as easily be thrown out of the window. Ultimately, we know that not everything that is taught is learnt, and not everything that is learnt is taught.

I'm sure there are many other messages that could emerge from the image above, but I'm going to stop at this point to give someone else (perhaps even Simon himself?) a chance to interpret it in a pedagogical context. So what are your ideas? (And what image will you send me that will present a challenge for me to interpret?)

Photo by Simon Ensor

Creative Commons License
Piece by piece by Steve Wheeler was written in Plymouth, England and is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

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